31

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Creative Europe programme 2021-2027

24-08-2020

Having considered the possibility of merging the Creative Europe programme with other programmes supporting European values, rights and justice, the European Commission has decided to continue the Creative Europe programme as a stand-alone programme, increasing its budget by 17 %. The only programme focusing exclusively on cultural and creative activities and enterprises, it falls under the 'Cohesion and values' heading of the 2021-2027 multiannual financial framework. The existing programme focuses ...

Having considered the possibility of merging the Creative Europe programme with other programmes supporting European values, rights and justice, the European Commission has decided to continue the Creative Europe programme as a stand-alone programme, increasing its budget by 17 %. The only programme focusing exclusively on cultural and creative activities and enterprises, it falls under the 'Cohesion and values' heading of the 2021-2027 multiannual financial framework. The existing programme focuses on the economic dimension of the cultural sector and its contribution to job creation and economic growth. Some stakeholders have voiced concern at taking such a strongly economic approach to culture. Under the proposed programme, the economic dimension is one axis alongside the social dimension, and culture's contribution to international relations. The proposed framework for cultural policy therefore highlights not only the economic dimension of the cultural and creative sectors, but also the role of culture in social cohesion and its relation to creative and artistic freedom and diversity, and freedom and plurality of media. Both Parliament and Council have agreed positions on the proposal, and trilogue negotiations started in autumn 2019 with a view to finding agreement before Council’s first reading. Fourth edition. The 'EU Legislation in Progress' briefings are updated at key stages throughout the legislative procedure.

The Audiovisual Media Services Directive

25-01-2019

Following political agreement with the Council, a vote in plenary on 2 October 2018 saw Parliament adopt the updated EU Audiovisual Media Services Directive, based on the proposal presented by the Commission on 25 May 2016. The overarching goal of the proposal was to bring about a balance between competitiveness and consumer protection. It therefore aimed to introduce flexibility when restrictions only applicable to TV are no longer justified, promote European films, protect minors and tackle hate ...

Following political agreement with the Council, a vote in plenary on 2 October 2018 saw Parliament adopt the updated EU Audiovisual Media Services Directive, based on the proposal presented by the Commission on 25 May 2016. The overarching goal of the proposal was to bring about a balance between competitiveness and consumer protection. It therefore aimed to introduce flexibility when restrictions only applicable to TV are no longer justified, promote European films, protect minors and tackle hate speech more efficiently. The proposal also reflected a new approach to online platforms. Following adoption of the revised directive, EU Member States now have to bring the new rules into national law by 19 September 2020. Sixth edition. The ‘EU Legislation in Progress’ briefings are updated at key stages throughout the legislative procedure.

Plenary round-up – Strasbourg, October I 2018

05-10-2018

The highlight of the October I plenary session was the debate on the preparation of the European Council meeting on 18 and 19 October 2018. The series of debates on the Future of Europe continued, this time with the Prime Minister of Estonia, Jüri Ratas. Montenegro's President, Milo Đukanović, also addressed Parliament in a formal sitting. Parliament adopted, inter alia, legislative proposals on: audiovisual media services; VAT rules; strengthening the EU Agency for Criminal Justice Cooperation ( ...

The highlight of the October I plenary session was the debate on the preparation of the European Council meeting on 18 and 19 October 2018. The series of debates on the Future of Europe continued, this time with the Prime Minister of Estonia, Jüri Ratas. Montenegro's President, Milo Đukanović, also addressed Parliament in a formal sitting. Parliament adopted, inter alia, legislative proposals on: audiovisual media services; VAT rules; strengthening the EU Agency for Criminal Justice Cooperation (Eurojust); mutual recognition of freezing and confiscation of criminal assets; the free flow of non-personal data within the EU; health technology assessment; and emission performance standards for new passenger cars and light commercial vehicles. Parliament also voted its public procurement package, as well as a report on an amending budget regarding changes to pre-accession aid to Turkey.

The Audiovisual Media Services Directive

26-09-2018

The Audiovisual Media Services Directive is the cornerstone of media regulation in the EU. It ensures a minimum harmonisation of certain aspects of national legislation facilitating the circulation of such services in the EU. The European Commission proposed an update of the directive to improve the balance between competitiveness and consumer protection, while reflecting a new approach to online platforms. The European Parliament is due to vote during its October I plenary session on the text agreed ...

The Audiovisual Media Services Directive is the cornerstone of media regulation in the EU. It ensures a minimum harmonisation of certain aspects of national legislation facilitating the circulation of such services in the EU. The European Commission proposed an update of the directive to improve the balance between competitiveness and consumer protection, while reflecting a new approach to online platforms. The European Parliament is due to vote during its October I plenary session on the text agreed in trilogue negotiations.

Copyright in the digital single market

05-09-2018

A European Commission proposal to adapt EU copyright law to the digital environment has sharply divided stakeholders, academics and MEPs. Parliament is now preparing to debate and vote on the JURI committee’s report on the proposed revised copyright directive, during the September plenary session.

A European Commission proposal to adapt EU copyright law to the digital environment has sharply divided stakeholders, academics and MEPs. Parliament is now preparing to debate and vote on the JURI committee’s report on the proposed revised copyright directive, during the September plenary session.

The proposed Directive on Copyright in the Digital Single Market (Articles 11, 14 and 16) Strengthening the Press Through Copyright

07-12-2017

The briefing gives a brief introductory presentation of the provisions of the proposal concerning the creation of new rights for press publishers to protect their press publications under EU copyright law. Also, it discusses the reasoning behind the creation of new rights for press publishers to ensure a fair remuneration. It also discusses the definitions (of press publishers and press publications) and the scope of the protection as well as the effects of the proposed directive.

The briefing gives a brief introductory presentation of the provisions of the proposal concerning the creation of new rights for press publishers to protect their press publications under EU copyright law. Also, it discusses the reasoning behind the creation of new rights for press publishers to ensure a fair remuneration. It also discusses the definitions (of press publishers and press publications) and the scope of the protection as well as the effects of the proposed directive.

External author

Thomas HÖPPNER, Professor of Business and Intellectual Property Law, Technical University Wildau

Strengthening the Position of Press Publishers and Authors and Performers in the Copyright Directive

15-09-2017

This study was commissioned by the European Parliament’s Policy Department for Citizens’ Rights and Constitutional Affairs at the request of the JURI committee. It reviews Art 11 and Arts 14-16 of the proposed Directive on Copyright in the Digital Single Market. It outlines criticisms that have been made of the proposals, includes reports of research into the operation and effects of precursors of Article 11 in Germany and Spain, a summary of the cultural economics literature on legal regulation ...

This study was commissioned by the European Parliament’s Policy Department for Citizens’ Rights and Constitutional Affairs at the request of the JURI committee. It reviews Art 11 and Arts 14-16 of the proposed Directive on Copyright in the Digital Single Market. It outlines criticisms that have been made of the proposals, includes reports of research into the operation and effects of precursors of Article 11 in Germany and Spain, a summary of the cultural economics literature on legal regulation of authors’ contracts and analysis of the laws of 7 Member States to see in what way Arts 14-16 would “add value”.

External author

Lionel Bently Martin Kretschmer Tobias Dudenbostel María del Carmen Calatrava Moreno Alfred Radauer

Cross-border portability of online content

10-05-2017

The European Parliament is to vote in plenary in May on new rules on cross-border portability, which would enable consumers to access their online subscriptions for content services when they travel across the EU and are temporarily outside their Member State of residence.

The European Parliament is to vote in plenary in May on new rules on cross-border portability, which would enable consumers to access their online subscriptions for content services when they travel across the EU and are temporarily outside their Member State of residence.

Audiovisual Media Services Directive: Implementation Appraisal

16-06-2016

Since its entry into force, the regulatory framework established by the Audiovisual Media Services Directive proved to be rather effective in achieving its goal of enabling the development and free circulation of audiovisual media services in the European Union. However, given the technological developments that led to a convergent audiovisual environment, it needs to be further adapted in order to better respond to market developments and new viewing patterns and habits. The European Parliament, ...

Since its entry into force, the regulatory framework established by the Audiovisual Media Services Directive proved to be rather effective in achieving its goal of enabling the development and free circulation of audiovisual media services in the European Union. However, given the technological developments that led to a convergent audiovisual environment, it needs to be further adapted in order to better respond to market developments and new viewing patterns and habits. The European Parliament, the Council, the European Economic and Social Committee and the European Committee of the Regions have asked for adaptations of the current regulatory framework in order to better reflect the implications of the new convergent media context. In particular, they called on the Commission to assess the current distinction of the regulatory framework between linear and non-linear services, to enforce the provisions related to minors and consumer protection, to ensure the respect of the freedom of media, to enforce the promotion of European works and to assess the implementation of self and co regulation arrangements. Implementation reports, evaluations and studies confirmed the need to address AVMSD related issues at EU level and pointed out that some of the rules are no longer fit for purpose in a changed digital context. The new proposal adopted by the Commission in May 2016, addresses several concerns raised by the Parliament including protection of minors, promotion of European audiovisual works and commercial communications.

The Creative Europe programme: European Implementation Assessment

15-06-2016

The Creative Europe programme (CE) – in operation since January 2014 – brings together the cultural and media programmes during the 2007-2013 programming period and is designed to support activities in the cultural and audiovisual sectors and to promote cross-sectoral synergies. With the aim of enhancing the competitiveness of the creative and cultural industries, Creative Europe was devised to help the creative and cultural industries and audiovisual sectors to better face the challenges of increasing ...

The Creative Europe programme (CE) – in operation since January 2014 – brings together the cultural and media programmes during the 2007-2013 programming period and is designed to support activities in the cultural and audiovisual sectors and to promote cross-sectoral synergies. With the aim of enhancing the competitiveness of the creative and cultural industries, Creative Europe was devised to help the creative and cultural industries and audiovisual sectors to better face the challenges of increasing digitalisation, market fragmentation, global competition and difficult access to financing. To this effect, Creative Europe desks were created in participating countries to provide prompt information on the different aspects of the programme. Against this background, the European Commission will present the results of the programme's mid-term evaluation by the end of 2017. This implementation assessment takes stock of the developments to date by analysing the main implementation issues vis-à-vis the programme's intended objectives. In order to reveal possible obstacles and address remaining problems, this assessment serves the overall purposes of the Implementation Report requested by the Committee on Culture and Education (CULT) of the European Parliament.

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