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Since its entry into force, the regulatory framework established by the Audiovisual Media Services Directive proved to be rather effective in achieving its goal of enabling the development and free circulation of audiovisual media services in the European Union. However, given the technological developments that led to a convergent audiovisual environment, it needs to be further adapted in order to better respond to market developments and new viewing patterns and habits. The European Parliament, ...

The Creative Europe programme (CE) – in operation since January 2014 – brings together the cultural and media programmes during the 2007-2013 programming period and is designed to support activities in the cultural and audiovisual sectors and to promote cross-sectoral synergies. With the aim of enhancing the competitiveness of the creative and cultural industries, Creative Europe was devised to help the creative and cultural industries and audiovisual sectors to better face the challenges of increasing ...

The Satellite and Cable Directive

Briefing 26-05-2016

Since 1995, when the Satellite and Cable Directive 93/83 was supposed to be transposed into the national laws of the Member States, the broadcasting landscape has been through various changes. While cable retransmission and satellite broadcasting still play their roles, new forms of broadcasting have found a stable place in the broadcasting landscape. This includes the ability to watch content on demand, through webcasting or simulcasting. Furthermore, a considerable role is played by online broadcasting ...

This note seeks to provide an initial analysis of the strengths and weaknesses of the European Commission's Impact Assessment accompanying the above proposal, adopted on 9 December 2015. This proposal is one of the first legislative initiatives proposed under the umbrella of the Digital Single Market (DSM) Strategy. The DSM Strategy is in itself one of the ten political priorities of the Juncker Commission. The portability proposal aims to contribute to the key objectives of the DSM allowing for ...

In this study we (1) explore current and emerging business models for over-the-top (OTT) services (including Voice over IP, instant messaging services, and streaming video and music services); (2) identify costs and barriers to European online service development including over-the-top (OTT); (3) describe the regulatory environment for online services in Europe, contrasting it with the environment for traditional telecom and media services, as well as the environment in some of Europe’s major trading ...

This European Implementation Assessment aims to provide briefing for the Committee on Legal Affairs (JURI) ahead of the publication of the Commission's legislative proposals concerning the modernisation of the EU copyright framework, which are expected towards the end of 2015. The specific objective is to help JURI Members achieve a better understanding of the actual gaps and weaknesses in the existing EU copyright framework.This European Implementation Assessment is divided into: an introduction ...

Connected TV is an internet-enabled TV which for the first time connects linear and non-linear media services in one device. In connected TV the boundaries between online and TV disappear, giving rise to the question of whether the existing regulations are prepared for this. In fact, the Audiovisual Media Services (AVMS) Directive regulating the linear signals is quite strict, but regulations drafted for non-linear services are not adapted to the present and future situation. The big question remains ...

This study provides an overview of the status and potential evolution of how content is delivered to the wider public in Europe, including the experience of the public sector and commercial providers. On the base of problems and causes identified, a series of recommendations are made to respond to the challenges of the digital era regarding access to content in Europe.

This study provides a representative panorama of the video on demand offering (VoD) available in the European markets. It shows some broad trends of VoD services playing a role in representing Europe’s cultural diversity and in promoting European cinematic heritage. In its conclusions, this study reveals that although American programmes are widely represented in European VoD catalogues on offer, they are not excessively over-represented compared to those being offered in theatres and even less so ...